Well, I got my wish. Carmella was sitting in therapy this past week. During the few minutes she sat and talked to Dr. Melfi she revealed more and showed more honesty than she has in five previous seasons. Despite all else that went on this past week, that moment was the most interesting for me. She admitted she knew what Tony was before she married him and that it may have been a reason for marrying him. She acknowledged the broken arm behind the drill (but not the corpses behind the mansion) and accepted her role as complicit denier. But she worried about her kids. Seeing them older made her regret the position she put them in and what she was asking them to do by being quiet. She also offered up her justification for why she could remain with someone for so many years knowing how much pain he caused others. The answer: comparative ethics. She could accept his criminal behavior for decades – or at least put it out of her mind – because she knew no matter how bad Tony was others were worse. Is that really an excuse?
Her visit to Melfi followed another Carmella crack up. She called A.J. a cross to bare, which he is, and then sobbed hysterically into her pillow. Her parents aren’t supportive. I was wondering if we’d see them at all during this Tony-coma episode. Meadow and Ro are the closest things Carmella has to friends.
I read once (and I can’t remember where so I’ll say Newsweek lest I Domenech myself) that a lot of the dialogue in the Sopranos consists of saying things when the opposite is true. “I love ya, T.” When Carmella ran into Melfi at the market and said she had plenty of people to talk to it was one of those times. Carmella has a lot of people in the waiting room but they're just toadies of her husband with their own selfish interests. Carmella needed to sit with Melfi and admit the conditions of her denial. And Melfi, in customary brevity, managed to hit the nail with four words, “your children or you?” Melfi recognized Carmella’s concerns for her children mirrored what she had lived with for twenty-some years. And that therapy session was the first time we saw any sign of Carmella seriously considering another type of life. Regardless of the justifications or if she really knew what she was getting into one thing Carmella cannot be excused for is those grown-out roots. Geez, has Tony been out for six months?
Tony’s dream sequence continued and it’s all about considering another type of life. Kenji brought up a good point last week that even in a dreamt alternative reality Tony is still Tony. There are similarities. My favorite of which is Kevin Finnerty, Tony’s comatose alter-ego, is successful from legitimate business. But he’s still in trouble with the law. The analogy of a family reunion for heaven is interesting especially if the one family member who meets you at the gate is the one whose head you blew off. And that inn did suggest more heaven than hell. However, it’s for each to decide whether Tony is going to heaven or if the ‘family reunion’ was a fire salt mine waiting for him.
And now it’s time to play, Spot! That! Gay! Joke! Alright, hands on buzzers here’s our first clue. This week’s reference to Vito’s sexuality included the one person who knows he’s gay. If you said, “that creepy touch on Meadow’s boyfriend’s arm,” you’re a winner. It’s Fin, short for Finnius, and thank goodness he was there or we might forget Vito is gay. Ha ha, he’s gay! That joke never gets old. Thanks writers of the Sopranos.
Despite all the support for Tony in the hospital, how many mob guys really wished he’d slip away? Sil’s wife is eyeing the crown for him but Sil doesn’t seem up to the task of dividing ‘business’ up fairly. Their self interested douche-baggery was on display in full effect this week with Pauly and Vito trying to stiff “the princess of little Italy,” Bobby asking for a decision from Sil while he’s being loaded into an ambulance, and Christopher bringing up the movie investment while Tony can barely drool. Everyone’s in it for themselves and they’re just waiting for the next guy to get whacked so they can get a piece.
And final tidbits, the drug heist was a little taste to remind us what these people do for a living. A.J. is a piece of shit. The writing teacher / screenwriter portions were hilarious, and Carmella’s mother is still the most worthless character on TV.
All and all, I was really pleased with this episode. It had the whole enchilada – some mafia stuff, some humor, some touching moments, and some introspection on the part of both Tony via the dream and Carmella via impromptu therapy. They could all use more of the latter. Many questions still remain including who’s in charge now if Tony doesn’t get a lot better quickly. But bigger, series-long questions, such as what goes on in Carmella’s mind, received partial answers this week which for me is more satisfying.
I’ve said it before, the show has to end somehow. So I’m constantly looking for signs of resolution. However, if there’s one thing that’s predictable about the Sopranos it’s that the writers want you to think one thing is going to happen when another string occurs instead. I’m glad this episode wraps up the hospital and dreamy segment of our season. Another week of that would have been too much. And now we can all get on with our trapped, violent lives. How’s it going to end, Carmella? How’s it going to end?