I’m having a bit of a musical identity crisis lately. There was a time not too long ago when I could rattle off a list of artists I liked with current albums and relevancy. Even more, I could easily answer what genres I liked with few apologies. As I round the last base of my twenty-something years tastes are not so easy. I always worried I would become one of those adults that only liked things released from the time they were 12 to 18. I’m not… yet. There are things I like a lot right now but it’s mostly a song here, an album there. There’s little left of the concrete music preferences that used to be such an identity trait.
This really became a concern this summer as I found I liked both a Don Henley song and something by Steve Winwood. I’m surprised the back of my head is still intact after that latter revelation. A friend of mine introduced me to the Eric Pryde’s cover of Call On Me by Winwood via a You Tube posting on his Vox account (see, I’m not that out of touch). The video is just an aerobics class… a hot, hot, softcore aerobics class.
Then there’s Don. India Arie has a cover of Heart of the Matter that is absolutely haunting. I heard it somewhere while writing and downloaded it immediately. I grew up with this song on the soft-rock adult crap radio station but I never paid attention to it before. If you’ve ever had a prolonged, painful conflict with someone you loved very much this song makes sense. It never did growing up. Does that mean it really takes some maturity to appreciate these crappy mid-life crisis anthems? Oh god, does that mean I’m acting mid-life?
To be fair to myself, I only like the boring men’s songs when the element extracted is the boring man. Eric Pryde just samples 8 words of Winwood’s voice over a cardio driving baseline; I’m the same boy I used to be. I’m the same boy I used to be. India Arie’s voice is so smooth and sweet without being syrupy and she instills tons more emotion than the original. I love it.
And then there’s the Dixie Chicks. They used to epitomize everything I took pride in not being. They were the heroes of dumb Southern girls who dreamed of growing up and living ordinary Southern lives in ordinary Southern towns. I decided at a very young age I wouldn’t be Southern and accepted I couldn’t be ordinary. But this summer I have adored their song Not Ready to Make Nice. Sure, it’s about their pillorying after daring to say something disparaging of King George the W. And being a political junkie and fellow Bush basher with far less kind epitaphs I feel a sense of solitude in that song. But its lyrics are generic enough to apply to anyone who has done you wrong unjustly and for whom you have no intention of sucking up and being sweet. Again, it relates well in a non-political sense. (Hint: The person about whom the India Arie song is so moving is the same guy I’d like back over with a Dixie Chick blaring pick-up truck.)
If someone asks me what kind of music I like do I now answer Don Henley and the Dixie Chicks? Please beat me to death right now - slowly. If I start developing a taste for Celine Dion I’ll do it myself. No! These are exceptios, right!? They’re mere blips in a long run of relatively good taste. I did discover Dangerous Muse before they were in all those magazines last spring. But their tripe gets trite pretty quick. Sorry fellas.
I still like good stuff… when I hear it. Earlier this summer at a cookout I kept hearing LCD Sound System and thinking they were someone else. But my friends, who aren’t suffering from musical disorientation disorder, introduced me to these guys and they’re all over my ipod now. I’ve even downloaded video content from them - so there.
The result of my age might not be an inability to find and like new music but rather a lack of capacity to fall in love with it as I once did. When I was younger certain artists really captured my angsty little life and I adamantly loved, loved, loved them. I’d argue about them and get really mad. But nothing affects like that anymore. By now I’m far more cynical and desensitized to get that crazy about music. I’m not sure if I should be saddened or grateful for my saner, although less interesting, stability. Also, when you’re tumbling toward adulthood self-actualization and figuring out your identity is your fulltime job. The music you’re passionate about is a big part of that. As you settle into your adult life it becomes less important to vigorously defend why A Perfect Circle can never be as good as Tool. But it’s still jarring when you like something by the Dixie Chicks.
Maybe it’s not so much that I no longer know what I like it’s that I’ve grown gradually more complex and so have my preferences. Maybe it’s okay for me to like things that used to be aversive and not love things that used to be worth fighting for. I cannot easily answer the question ‘What kind of music do I like.’ But I know I like what I like what I like and hope friends will continue to introduce me to stuff or I’ll find it on my own. And I’ll have to accept that occasionally I will enjoy something Don Henley created. It doesn’t change the fact that this week I made sure my cable would be installed in time for me to watch the VMA’s and root for Panic at the Disco (…and Madonna!).
I’m the same boy I used to be.